Shyft Portal

• INTRODUCTION EQUIPMENT. 

• REKORDBOX.

 • AUDIO FORMATS. 

 • MUSIC SEARCH. 

 • MUSIC ORGANIZATION. 

 • CONNECTIONS / TECHNICA. 

 • MUSIC HISTORY / ORIGIN. 

 • MUSIC THEORY. 

 • TENSES, BARS, PHRASES. 

 • HARMONY / SCALES.

 • EFFECTS. 

 The equipment used is Pioneer DJM 900NXS 2, CDJ 3000. 

 Course is taught in 16 classes from 1hr to 1hr and a half depending on the number of students, maximum capacity 5 students per course.

PROFESSOR: Nicolas Cerban 

DIRECTOR: Matias Perez (DIFFER)

By the end of the course, you will have a deep understanding of the basics of DJing with CDJs, as well as hands-on experience with beatmatching, mixing, looping, and effect techniques. You will have the skills necessary to start your journey as a DJ and continue to develop your craft.

• HISTORY OF MUSIC PRODUCTION. 

 • IN WHAT AREAS CAN WE FIND MUSICAL PRODUCTION? 

 • MUSIC GENRES - STYLES OF MUSIC PRODUCTION (MUSIC FOR MOVIES, VIDEO GAMES, COMMERCIALS). 

• DIFFERENT SOFTWARE OPTIONS AND PRODUCTION TOOLS. 

 • DIGITAL AND EXTERNAL INSTRUMENTS 

 ABLETON LIVE INITIAL : 

 • SOFTWARE DISCOVERY AND EXPLORATION. 

• SOUND CARDS AND HEADPHONES. 

 • FUNCTIONS - PLUGGINS - NATIVE ABLETON LIVE LIBRARIES AND INSTRUMENTS. 

• EXTERNAL PLUGINS - EXTERNAL LIBRARIES. 

• HOW DO THEY WORK AND HOW DO I INTEGRATE THEM INTO ABLETON LIVE?. 

 • SESSION VIEW : 

 • MY FIRST JAM SESSION. 

 • MIDI CHANNELS. 

 • AUDIO CHANNELS. 

 • RETURN CHANNELS.

 ARRAGEMENT VIEW: 

• ORGANIZATION - TRACK STRUCTURING.

• HOW TO CREATE MOMENTS AND SENSATIONS WITHIN THE ARRANGEMENT THROUGH ORDER?. 

 • INITIAL MIX :

• INITIAL EQ. 

 • INITIAL FX : 

  HOW DO THEY WORK AND WHAT DOES EACH FX DO?. 

• PANIUMS. 

 • ACTIVE LISTENING IN CONTEXT.

PROFESSOR: NICOLAS CERBAN.

DIRECTOR: MATIAS PEREZ.

• HISTORY OF PHOTOGRAPHY. 

• TYPES OF PHOTOGRAPHY. 

• CAMERAS AND TYPES OF CAMERAS. 

• SPECTACLES. 

• FILTERS. 

• EXHIBITION. 

• EXPOSURE TRIANGLE. 

• SHUTTER SPEED.

• DIAPHRAGM OPENING. 

• .ISO. 

• DEPTH OF FIELD AND FOCAL LENGTH. 

• MEASUREMENT MODES. 

• FOCUS MODES. 

• SEMI-AUTOMATIC MODES. 

• EXPOSURE COMPENSATION. 

• WHITE BALANCE AND COLOR TEMPERATURE. 

• INTRODUCTION TO COMPOSITION. 

• HISTOGRAM. 

• FRAMING TYPES. 

• ANGLES. 

• PLANS. 

• LAW OF THE HORIZON AND RULE OF THIRDS. 

• FRAMEWORKS. 

• RHYTHMS. 

• COLOUR. 

• CHROMATIC CIRCLE AND COLOR HARMONY. 

• COLOR PSYCHOLOGY.

 • COLOR PROPERTIES. 

• FOCUS - FLASH. 

• JPEG VS RAW.

• FILE TYPES.  

• COLOR REPRESENTATION MODES.

• RAW FILES AND COLOR DEPTH.

• CONCEPT OF IMAGE DEVELOPMENT. 

• LIGHTROOM AND CAPTURE ONE IMAGE DEVELOPMENT TOOLS. 

 • HISTOGRAM. 

 • READING THE HISTOGRAM IN IMAGES. 

• KNOW THE PROGRAM. LIGHTROOM STRUCTURE AND VISUALIZATION. 

 • BASIC IMAGE SETTINGS. 

 • WHITE BALANCE. 

• TEMPERATURE AND TINT SETTINGS VERSUS DROPPER. 

• GREY CHART.

 • TONE CURVE AND TONE HANDLING. 

• SATUACION OF COLOR AND INTENSITY.

 • HSL PANEL. HUE, SATURATION AND LUMINOSITY. 

 • SELECTIVE COLOR ADJUSTMENTS AND COLOR GRADING. 

 • BALANCE VS BLENDING. 

 • SELECTIVE CORRECTION USING MASKS. 

 • TYPES OF MASKS. 

 • CONCEPT OF OPACITY AND HARDNESS. 

 • AUTOMATIC CORRECTION TOOLS.

 • RED-EYE CORRECTION - AI NOISE REDUCTION.

 • LENS DISTORTION. 

 • CHROMATIC ABERRATION. 

 • CROPPING AND IMAGE SIZES. 

 • PRESET CREATION - FILE EXPORT. 

 • EXPORT FILES FOR SOCIAL NETWORKS. 

 • FILE SIZE.

 • INTRODUCTION TO EDITING AFTER DEVELOPMENT. 

 • FROM LIGHTROOM TO PHOTOSHOP. 

 • CONCEPT OF LAYERS. 

 • 3D LAYERS AND OPACITY. 

 • LAYER SELECTIONS AND MASKS.

 • SELECTION TOOLS.

 • MAGIC WAND AND QUICK SELECTION. 

 • CAPE MASK. 

 • PAINTING WITH LAYER MASK. 

 • RELATIONSHIP BETWEEN SELECTIONS AND LAYER MASKS. 

 • GRADIENT TOOLS FOR MASKS. 

 • SELECT AND APPLY MASK (PERFECT EDGES). 

• FUSION MODES. 

 • LEVELS. 

 • CURVES. 

 • COLOR WITH CURVES. 

• EXPLANATION OF FUSION MODES. 

 • DODGE AND BURN TECHNIQUE. 

 • LUMINOSITY CHANNELS AND MASKS. 

 • WHAT ARE THE CHANNELS - SELECTION BY CHANNEL. 

• EXTRACTING CHARACTERS WITH CHANNELS. 

 • CREATION OF LUMINOSITY MASKS OF LIGHTS. 

• CREATION OF LUMINOSITY MASKS OF SHADOWS AND MEDIUM TONES. 

 • LUMINOSITY MASKS AND ADJUSTMENT LAYERS. 

 • LUMINOSITY MASKS AND DODGE AND BURN. 

 • FILL ACCORDING TO CONTENT. 

 • SIZE OF AN IMAGE. 

 • FILE EXPORT.

IMAGE COMPOSITION PROGRAM. 

 • DRAWING SIZES VIEWS. 

USING THE CAMERA 1 

 • SHUTTER SPEED. 

 • .ISO 

 • DIAPHRAGM. 

 • CAMERA MOVEMENTS. 

USING THE CAMERA 2 

 • WHITE BALANCE. 

 • FPS. 

• VIDEO RESOLUTION. 

• SETTING SEQUENCES FOR NETWORKS IN PREMIERE. 

USING THE CAMERA 3 

• FOCUS MODES. 

  FOCUS POINTS. 

• HOW TO USE THE CAMERA IN HAND. 

• CAMERA MOVEMENTS IN HAND. 

• CAMERA TRANSITIONS. 

CAMERA LENSES AND LIGHT. 

 • SPECTACLES. 

 • AXIS OF ACTION CAMERA SENSORS. 

 • CAMERA SENSORS. 

 • WHICH CAMERA TO CHOOSE TO WORK WITH. 

 • ELEMENTS OF A FILMMAKER. 

VIDEO EDITING IN PREMIERE PRO. 

          UNIT 1.INTERFACE AND VIDEO FILES.

• COMPRESSION AND USE OF VIDEO FILES. 

• ORGANIZATION AND STRUCTURING OF DIGITAL FILES. 

 • CREATION OF A NEW PROJECT.

 • IMPORTING AND LOCATING FILES. 

 • GENERAL DESCRIPTION OF THE ELEMENTS OF THE LESS MAIN.

 • PRACTICE AND CREATE A PROJECT FOLDER AND CREATE A NEW PROJECT. 

         UNIT 2. EDITION. 

• TIMELINES AND SEQUENCES. 

• USING PREMIERE PRO WINDOWS. PROJECT WINDOWS, SOURCE WINDOW, TIMELINE, AND PROGRAM WINDOW. - USE OF THE CANVAS AND THE VIEWFINDER. SOURCE WINDOW AND PROGRAM MONITOR. 

• WORK WITH THE TIMELINE AND NONLINEAR ASSEMBLY. 

•WORKING WITH THE TIMELINE: TOOLBAR, SHORTCUTS. 

• USING TRANSITIONS - TITLE CREATION. 

• WORKING WITH THE SEQUENCE: 3-POINT EDITING AND PANCAKE EDITING. 

           UNIT 3. USE OF EFFECTS IN THE ASSEMBLY. 

• INTRODUCTION TO KEYFRAMES. 

 • INTRODUCTION TO TIME REASSIGNMENT. 

• INTRODUCTION TO MASKS. 

• AUTOMATIC REFRAMING. 

• GRAPHICS PANEL. 

            UNIT 4. EDITION OF COLOR AND LIGHT IN LUMETRI.

• INTRODUCTION TO WORKING WITH COLOR AND LIGHT. 

• COLOR CORRECTION WITH LUMETRI. 

• COLOR GRADING WITH LUMETRI. 

• WORKING WITH THE HSL TOOL. 

• INTRO TO THE EFFECTS PANEL. 

               UNIT 5. AUDIO RETOUCHING AND INCORPORATION. 

• INTRODUCTION TO WORKING WITH SOUND. 

 • WORK AND ELIMINATE NOISE. 

• INTRODUCTION TO SOUND DESIGN. 

• AMPLIFICATION AND COMPRESSION. 

 • RECORDING AUDIO IN PREMIERE PRO. 

                UNIT 6. FILE EXPORT. 

• FINAL VERIFICATION BEFORE EXPORTING. 

 • INTRODUCTION TO THE EXPORT PANEL .

• HOW TO EXPORT PROJECTS AND SETTINGS. 

 • EXPORT MULTIPLE VIDEOS WITH MEDIA ENCODE. 

PROFESSOR: Ignacio Sabuelza. 

DIRECTOR: Matias Perez. 

OBJECTIVE:  

The objective of this course is not only to capture and edit a photo / video but to awaken our creative part and see a different panorama which makes us stand out.