Available courses

TALENT PROGRAM.

MONTH 1

 •INTRODUCTION DJ ELECTRONIC MUSIC.  

•INTRODUCTION DJ MUSIC OPEN FORMAT. 

 • INTRODUCTION TO ELECTRONIC MUSIC PRODUCTION.

• INTRODUCTION TO OPEN FORMAT MUSIC PRODUCTION.

• INTRODUCTION TO PHOTOGRAPHY. 

• INTRODUCTION TO MARKETING.

 MONTH 2 

• DJ INITIAL ELECTRONIC MUSIC 1.

 • DJ INITIAL MUSIC OPEN FORMAT 1.

 • ELECTRONIC MUSIC PRODUCTION 1. 

• MUSIC PRODUCTION OPEN FORMAT 1.

• PHOTOGRAPHY LEVEL 1.

• MARKETING LEVEL 1.

 MONTH 3 

• DJ INITIAL ELECTRONIC MUSIC 2. 

• DJ INITIAL MUSIC OPEN FORMAT 2. 

• ELECTRONIC MUSIC PRODUCTION 2.

 • MUSIC PRODUCTION OPEN FORMAT 2. 

• PHOTOGRAPHY LEVEL 2. 

• MARKETING LEVEL 2. 

MONTH 4

• DJ INITIAL ELECTRONIC MUSIC 3. 

• DJ INITIAL MUSIC OPEN FORMAT 3. 

• ADVANCED DJ TRAKTOR 1. 

• ELECTRONIC MUSIC PRODUCTION 3. 

• MUSIC PRODUCTION OPEN FORMAT 3.

 • PHOTO EDITION {Lightroom}.

 • MARKETING LEVEL 3. 

MONTH 5 

• ADVANCED DJ CDJ ELECTRONIC MUSIC 1.

 • ADVANCED DJ CDJ MUSIC OPEN FORMAT 1.

 • ADVANCED DJ TRAKTOR 2.

 • ADVANCED ELECTRONIC MUSIC PRODUCTION 1.

 • ADVANCED MUSIC PRODUCTION OPEN FORMAT 1.

 • PHOTO EDITION and DESIGN {Photoshop}. 

• MARKETING LEVEL 4. 

MONTH 6 

• PROFESSIONAL DJ CDJ ELECTRONIC MUSIC. 

 • PROFESSIONAL DJ CDJ MUSIC OPEN FORMAT 1. 

• ADVANCED DJ CREATIVE TRAKTOR. 

• ADVANCED PRODUCTION ELECTRONIC MUSIC 2.

• ADVANCED MUSIC PRODUCTION OPEN FORMAT 2. 

• VIDEO {Production & Editing} - Premiere. 

• MARKETING LEVEL 5. 

PROGRAM DURATION: 6 months.

WORKLOAD: 164 Hours

 • DJ ELECTRONICA (35.5 hs)

 • DJ OPEN FORMAT (30 hs) 

 • ADVANCED / CREATIVE DJ (14.5 hs) 

 • ELECTRONIC MUSIC PRODUCTION (29.5 hs) 

 • OPEN FORMAT PRODUCTION (25 hs) 

 • MARKETING (15.5) • PHOTO / VIDEO (19 hs)

 

PROFESSORS:

Matias Perez (advanced traktor) – 

Nicolas Cerban (dj / electronic production) 

Jhoan Ayala  (dj / open format production) 

Nathali Fernandez (marketing) 

Ignacio Zabuelza  (photography and video)


OBJECTIVE:

Start the program without knowledge and conclude as an artist with all aspects.

Introduction to DJing with CDJs.


This course is designed for aspiring DJs who are looking to learn the basics of DJing with CDJs. This hands-on course will give you a solid foundation in the skills and techniques necessary to start your journey as a DJ.

• INTRODUCTION EQUIPMENT. 

• REKORDBOX.

 • AUDIO FORMATS. 

 • MUSIC SEARCH. 

 • MUSIC ORGANIZATION. 

 • CONNECTIONS / TECHNICA. 

 • MUSIC HISTORY / ORIGIN. 

 • MUSIC THEORY. 

 • TENSES, BARS, PHRASES. 

 • HARMONY / SCALES.

 • EFFECTS. 

 The equipment used is Pioneer DJM 900NXS 2, CDJ 3000. 

 Course is taught in 16 classes from 1hr to 1hr and a half depending on the number of students, maximum capacity 5 students per course.

PROFESSOR: Nicolas Cerban 

DIRECTOR: Matias Perez (DIFFER)

By the end of the course, you will have a deep understanding of the basics of DJing with CDJs, as well as hands-on experience with beatmatching, mixing, looping, and effect techniques. You will have the skills necessary to start your journey as a DJ and continue to develop your craft.


TRAKTOR PRO ADVANCED DJ. 

• TRAKTOR FULL 

• MAPPING 

• CREATION OF ENVIRONMENT / INTENCIDAD 

 • ADVANCED MIXING WITH 4 DECKS 

• HYBRID PERFORMANCE SYSTEM 

The main equipment used is the Allen & Heat 96 mixer and Pioneer DJM 900NXS 2. 

Course is taught in 8 classes of 1hr and a half, maximum capacity 2 students per class. 

PROFESSOR/ DIRECTOR: Matias Perez (DIFFER)

OBJECTIVE:

The objective of this course is to learn how to generate environments and moments using a system totally composed of controllers and externals. We will awaken the creative part of our brain and create our own sound using different tracks simultaneously.

MUSIC PRODUCTION - BEGINNER LEVEL 

• HISTORY OF MUSIC PRODUCTION. 

 • IN WHAT AREAS CAN WE FIND MUSICAL PRODUCTION? 

 • MUSIC GENRES - STYLES OF MUSIC PRODUCTION (MUSIC FOR MOVIES, VIDEO GAMES, COMMERCIALS). 

• DIFFERENT SOFTWARE OPTIONS AND PRODUCTION TOOLS. 

 • DIGITAL AND EXTERNAL INSTRUMENTS 

 ABLETON LIVE INITIAL : 

 • SOFTWARE DISCOVERY AND EXPLORATION. 

• SOUND CARDS AND HEADPHONES. 

 • FUNCTIONS - PLUGGINS - NATIVE ABLETON LIVE LIBRARIES AND INSTRUMENTS. 

• EXTERNAL PLUGINS - EXTERNAL LIBRARIES. 

• HOW DO THEY WORK AND HOW DO I INTEGRATE THEM INTO ABLETON LIVE?. 

 • SESSION VIEW : 

 • MY FIRST JAM SESSION. 

 • MIDI CHANNELS. 

 • AUDIO CHANNELS. 

 • RETURN CHANNELS.

 ARRAGEMENT VIEW: 

• ORGANIZATION - TRACK STRUCTURING.

• HOW TO CREATE MOMENTS AND SENSATIONS WITHIN THE ARRANGEMENT THROUGH ORDER?. 

 • INITIAL MIX :

• INITIAL EQ. 

 • INITIAL FX : 

  HOW DO THEY WORK AND WHAT DOES EACH FX DO?. 

• PANIUMS. 

 • ACTIVE LISTENING IN CONTEXT.

PROFESSOR: NICOLAS CERBAN.

DIRECTOR: MATIAS PEREZ.

                                  MUSIC PRODUCTION- ADVANCED LEVEL 

• HARMONY AND ADVANCED MELODY. 

• EXTERNAL INSTRUMENTS : SYNTHS - DRUM MACHINES. 

• ADVANCED PRODUCTION OF THE DIFFERENT GENRES OF ELECTRONIC MUSIC: 

     SOUND QUALITIES OF EACH GENRE. 

• ADVANCED MIXING. 

• ADVANCED EQ. 

• ADVANCED SOUND EFFECTS. 

• RETURN EFFECTS. 

• ADVANCED COMPRESSION. 

• LIMITERS. 

• COLOR ON THE SLOPES. 

• BUSSING. 

• REFERENCES. 

 • RECORDING. 

 • MASTERING 1 AND MASTERING 2. 

 • HOW TO LAUNCH MUSIC TO THE MARKET. 

PROFESSOR: Nicolas Cerban.

 DIRECTOR: Matias Perez (DIFFER).

PHOTOGRAPHY.

• HISTORY OF PHOTOGRAPHY. 

• TYPES OF PHOTOGRAPHY. 

• CAMERAS AND TYPES OF CAMERAS. 

• SPECTACLES. 

• FILTERS. 

• EXHIBITION. 

• EXPOSURE TRIANGLE. 

• SHUTTER SPEED.

• DIAPHRAGM OPENING. 

• .ISO. 

• DEPTH OF FIELD AND FOCAL LENGTH. 

• MEASUREMENT MODES. 

• FOCUS MODES. 

• SEMI-AUTOMATIC MODES. 

• EXPOSURE COMPENSATION. 

• WHITE BALANCE AND COLOR TEMPERATURE. 

• INTRODUCTION TO COMPOSITION. 

• HISTOGRAM. 

• FRAMING TYPES. 

• ANGLES. 

• PLANS. 

• LAW OF THE HORIZON AND RULE OF THIRDS. 

• FRAMEWORKS. 

• RHYTHMS. 

• COLOUR. 

• CHROMATIC CIRCLE AND COLOR HARMONY. 

• COLOR PSYCHOLOGY.

 • COLOR PROPERTIES. 

• FOCUS - FLASH. 

• JPEG VS RAW.

LIGHTROOM. 

• FILE TYPES.  

• COLOR REPRESENTATION MODES.

• RAW FILES AND COLOR DEPTH.

• CONCEPT OF IMAGE DEVELOPMENT. 

• LIGHTROOM AND CAPTURE ONE IMAGE DEVELOPMENT TOOLS. 

 • HISTOGRAM. 

 • READING THE HISTOGRAM IN IMAGES. 

• KNOW THE PROGRAM. LIGHTROOM STRUCTURE AND VISUALIZATION. 

 • BASIC IMAGE SETTINGS. 

 • WHITE BALANCE. 

• TEMPERATURE AND TINT SETTINGS VERSUS DROPPER. 

• GREY CHART.

 • TONE CURVE AND TONE HANDLING. 

• SATUACION OF COLOR AND INTENSITY.

 • HSL PANEL. HUE, SATURATION AND LUMINOSITY. 

 • SELECTIVE COLOR ADJUSTMENTS AND COLOR GRADING. 

 • BALANCE VS BLENDING. 

 • SELECTIVE CORRECTION USING MASKS. 

 • TYPES OF MASKS. 

 • CONCEPT OF OPACITY AND HARDNESS. 

 • AUTOMATIC CORRECTION TOOLS.

 • RED-EYE CORRECTION - AI NOISE REDUCTION.

 • LENS DISTORTION. 

 • CHROMATIC ABERRATION. 

 • CROPPING AND IMAGE SIZES. 

 • PRESET CREATION - FILE EXPORT. 

 • EXPORT FILES FOR SOCIAL NETWORKS. 

 • FILE SIZE.

ADOBE PHOTOSHOP. 

 • INTRODUCTION TO EDITING AFTER DEVELOPMENT. 

 • FROM LIGHTROOM TO PHOTOSHOP. 

 • CONCEPT OF LAYERS. 

 • 3D LAYERS AND OPACITY. 

 • LAYER SELECTIONS AND MASKS.

 • SELECTION TOOLS.

 • MAGIC WAND AND QUICK SELECTION. 

 • CAPE MASK. 

 • PAINTING WITH LAYER MASK. 

 • RELATIONSHIP BETWEEN SELECTIONS AND LAYER MASKS. 

 • GRADIENT TOOLS FOR MASKS. 

 • SELECT AND APPLY MASK (PERFECT EDGES). 

• FUSION MODES. 

 • LEVELS. 

 • CURVES. 

 • COLOR WITH CURVES. 

• EXPLANATION OF FUSION MODES. 

 • DODGE AND BURN TECHNIQUE. 

 • LUMINOSITY CHANNELS AND MASKS. 

 • WHAT ARE THE CHANNELS - SELECTION BY CHANNEL. 

• EXTRACTING CHARACTERS WITH CHANNELS. 

 • CREATION OF LUMINOSITY MASKS OF LIGHTS. 

• CREATION OF LUMINOSITY MASKS OF SHADOWS AND MEDIUM TONES. 

 • LUMINOSITY MASKS AND ADJUSTMENT LAYERS. 

 • LUMINOSITY MASKS AND DODGE AND BURN. 

 • FILL ACCORDING TO CONTENT. 

 • SIZE OF AN IMAGE. 

 • FILE EXPORT.

    VIDEO. 

IMAGE COMPOSITION PROGRAM. 

 • DRAWING SIZES VIEWS. 

USING THE CAMERA 1 

 • SHUTTER SPEED. 

 • .ISO 

 • DIAPHRAGM. 

 • CAMERA MOVEMENTS. 

USING THE CAMERA 2 

 • WHITE BALANCE. 

 • FPS. 

• VIDEO RESOLUTION. 

• SETTING SEQUENCES FOR NETWORKS IN PREMIERE. 

USING THE CAMERA 3 

• FOCUS MODES. 

  FOCUS POINTS. 

• HOW TO USE THE CAMERA IN HAND. 

• CAMERA MOVEMENTS IN HAND. 

• CAMERA TRANSITIONS. 

CAMERA LENSES AND LIGHT. 

 • SPECTACLES. 

 • AXIS OF ACTION CAMERA SENSORS. 

 • CAMERA SENSORS. 

 • WHICH CAMERA TO CHOOSE TO WORK WITH. 

 • ELEMENTS OF A FILMMAKER. 

VIDEO EDITING IN PREMIERE PRO

          UNIT 1.INTERFACE AND VIDEO FILES.

• COMPRESSION AND USE OF VIDEO FILES. 

• ORGANIZATION AND STRUCTURING OF DIGITAL FILES. 

 • CREATION OF A NEW PROJECT.

 • IMPORTING AND LOCATING FILES. 

 • GENERAL DESCRIPTION OF THE ELEMENTS OF THE LESS MAIN.

 • PRACTICE AND CREATE A PROJECT FOLDER AND CREATE A NEW PROJECT. 

         UNIT 2. EDITION. 

• TIMELINES AND SEQUENCES. 

• USING PREMIERE PRO WINDOWS. PROJECT WINDOWS, SOURCE WINDOW, TIMELINE, AND PROGRAM WINDOW. - USE OF THE CANVAS AND THE VIEWFINDER. SOURCE WINDOW AND PROGRAM MONITOR. 

• WORK WITH THE TIMELINE AND NONLINEAR ASSEMBLY. 

WORKING WITH THE TIMELINE: TOOLBAR, SHORTCUTS. 

• USING TRANSITIONS - TITLE CREATION. 

• WORKING WITH THE SEQUENCE: 3-POINT EDITING AND PANCAKE EDITING. 

           UNIT 3. USE OF EFFECTS IN THE ASSEMBLY. 

• INTRODUCTION TO KEYFRAMES. 

 • INTRODUCTION TO TIME REASSIGNMENT. 

• INTRODUCTION TO MASKS. 

• AUTOMATIC REFRAMING. 

• GRAPHICS PANEL. 

            UNIT 4. EDITION OF COLOR AND LIGHT IN LUMETRI.

• INTRODUCTION TO WORKING WITH COLOR AND LIGHT. 

• COLOR CORRECTION WITH LUMETRI. 

• COLOR GRADING WITH LUMETRI. 

• WORKING WITH THE HSL TOOL. 

• INTRO TO THE EFFECTS PANEL. 

               UNIT 5. AUDIO RETOUCHING AND INCORPORATION. 

• INTRODUCTION TO WORKING WITH SOUND. 

 • WORK AND ELIMINATE NOISE. 

• INTRODUCTION TO SOUND DESIGN. 

• AMPLIFICATION AND COMPRESSION. 

 • RECORDING AUDIO IN PREMIERE PRO. 

                UNIT 6. FILE EXPORT. 

• FINAL VERIFICATION BEFORE EXPORTING. 

 • INTRODUCTION TO THE EXPORT PANEL .

• HOW TO EXPORT PROJECTS AND SETTINGS. 

 • EXPORT MULTIPLE VIDEOS WITH MEDIA ENCODE. 

PROFESSOR: Ignacio Sabuelza. 

DIRECTOR: Matias Perez. 

OBJECTIVE:  

The objective of this course is not only to capture and edit a photo / video but to awaken our creative part and see a different panorama which makes us stand out.

MARKETING DIGITAL.

SOCIAL NETWORKS:

 FOCUS ON SOCIAL NETWORKS, FOCUSED ON INSTAGRAM AND YOUTUBE AS THEY ARE THE MOST USED AND EASIEST TO GET FOLLOWERS. 

ADVERTISING: 

HOW TO MOUNT ADVERTISING CAMPAIGNS TO GENERATE FANS, TRAFFIC. AS WELL AS ADVERTISING TACTICS TO CAPTURE YOUR FANS. 

WEBSITE: 

THIS IS IMPORTANT AS IT IS LIKE AN ONLINE BUSINESS CARD THAT PRESENTS ALL THE RELEVANT INFORMATION TO YOUR FOLLOWERS AND POTENTIAL CUSTOMERS.

 CONTENTS/CATEGORIES TO INCLUDE ON YOUR WEBSITE: 

 1. CONTACT DETAILS 

 2. EVENTS SCHEDULED TO BE A DJ 

 3. PRICES DJ/PODCAST MIXES 

 4. VIDEOS OF YOUR EVENTS 

 5. PROFESSIONAL DJ IMAGES OF YOU 

6. LINKS TO SOCIAL NETWORKS 

• MANAGE YOUR CONTACTS: ADOPT A CRM SYSTEM WHICH CAN MAINTAIN CONTROL OF ALL YOUR CONTACTS. 

CONTENT STRATEGY 

• WHAT IS DIGITAL MARKETING? HOW CAN IT CONTRIBUTE TO YOUR MUSICAL PROJECT? 

 • ENGAGE YOUR AUDIENCE, INTERACT WITH THEM AND TURN THEM INTO FANS OF YOUR MUSIC. 

 • KNOW YOUR AUDIENCE AND FOCUS YOUR ACTIONS ON CAPTIVATING THEM. 

 • DESIGN A CONTENT STRATEGY TO MANAGE YOUR OWN PROJECT AND START IN THE MUSIC BUSINESS.  

• GROWTH HACKING TOOLS: QUICKLY AND NOTICEABLY INCREASE YOUR NUMBER OF FOLLOWERS WITH TECHNOLOGICAL TOOLS. 

• DIGITAL ANALYTICS: MEASURE THE RESULTS OF YOUR DIGITAL STRATEGY AND PROJECT YOUR MUSIC TO THE NEXT LEVEL. 

• ADVERTISING ON SOCIAL NETWORKS TO PUBLICIZE YOUR MUSICAL PROJECT. 

 • DESIGN AND PLANNING OF A MUSIC PROMOTION STRATEGY IN SOCIAL MEDIA. 

 • NEW TRENDS IN SOCIAL NETWORKS FOR ARTISTS. 

 • SPOTIFY FOR ARTISTS. 

 • HOW TO USE TIK TOK IN A LAUNCH. 

 • TRAFFIC STRATEGIES FOR INSTAGRAM. 

 • SEM – CAMPAIGN PLANNING IN GOOGLE ADS. 

 • YOUTUBE OPTIMIZATION, MONETIZATION AND LIVES. 

 • EXAMPLES OF ONLINE MARKETING IN THE MUSIC SECTOR.

PROFESSOR: Nathali Fernandez.

DIRECTOR: Matias Perez.

DJ OPEN FORMAT.

  • WHAT BEING A DJ INVOLVES
  • INTRODUCTION TO THE MIXER
  • INTRODUCTION TO THE CDJ (CDJS + CONTROLLERS)
  • FREQUENCY RANGES
  • REKORDBOX 
  • SERATO
  • AUDIO FORMATS 
  • MUSIC SEARCH 
  • MUSIC ORGANIZATION
  • SET UP
  • WHAT IS MUSIC
  1. -  Melody
  2. -  Rhythm
  3. -  Harmony 

  • GENERES
  • TIME SIGNATURE
  • TIME 
  • COMPASESS
  • HARMONIOUSLY MIX
  • HOW TO MIX
  • EFFECTS
  1. Panning
  2. Echo & Delay 
  3. Reverb 
  4. Equalization 
  5. Flanging & Phasing 
  6. Filters
  • HOW TO READ THE CROWD


PROFESSOR: Federico Vicente. 

DIRECTOR: Matias Perez.